Superman
&
Batman:
Generations
Writer, Artist and Letterer: John Byrne
Colorist:
Trish
Mulvihill
Reviewed
for
Raging
Bullets:
BulletPoints
by Omri
Generations:
The
World’s
Finest
team
finally
faces
the one
enemy
they
never
faced
before:
time!
See them
age and
mature
through
the
decades,
growing
to
points
never
reached
in their
regular
cannon
stories.
First
things
to be
stated
about
this
book is
that it
is a
highly
typical
John
Byrne
story.
Those
familiar
with his
work
should
immediately
recognize
not only
his art
style,
but also
his
writing
methods
and plot
driving
elements.
Though
I’m not
a big
fan of
his
work, I
picked
this up
as mere
curiosity
and was
surprised
by the
quality
of its
contents.
The
story
has 8
chapters,
each set
ten
years
apart,
ranging
from
1939 to
1999,
followed
by an
extra
chapter
at
1929.
What
makes
this so
interesting
is that
Byrne
adopted
those
decades’
feel
into his
writing
and art,
and each
chapter
truly
captures
and
feels as
if it
was
published
in that
time.
Thus,
the 1939
story,
true to
cannon,
has the
debut of
Superman
and
Batman,
with
funny
costumes,
cheesy
lines
and
violent
justice.
The 1949
story
has all
the
back-history
exploration
and
villain
development,
imbued
with
impossible
stunts,
and
continuity
errors
(which
are
obviously
placed
here on
purpose).
1959 is
the
decade
of
hokeyness,
where
Mxyzptlk
and
Bat-Mite
reign,
Batman
has all
the
gadgets
that
made his
TV show
famous
and the
story
takes
weird
(and
unnecessarily
out-of-left-field)
turns.
1969 is
the
decade
of
change,
social
issues
brought
to the
table
and the
discovery
that
violence
is real
and has
consequences.
1979
follows,
not
surprisingly,
with
happiness
that
very
quickly
turns
grim,
gritty
and very
dark
with
plot
elements
that lay
under
the rugs
for
years
suddenly
resurfacing.
Expectedly,
1989
follows
with
political
explorations
and
value
settings,
focusing
on our
heroes’
moral
standpoints,
with
1999
finally
taking
them out
of the
slump
and into
a place
from
which
they can
look at
the
future.
The
story
focuses
on
Superman
and
Batman,
their
relationship,
their
growth,
their
aging,
and
their
pantheons
(yes,
that
means
families).
Their
lives
seem to
forever
be
entangled,
each
needing
the
other
for his
latest
threat-
dealing,
having
more
influence
in the
other’s
life
than
they’d
believe
they
do. As
they
each
marry
and have
children,
they
pave the
way for
new,
young
heroes
to take
their
place
once
they get
older.
We see
the kids
learning,
trying,
and
eventually
surpassing
their
parents.
We see
some of
them
disappoint
their
parents
and even
failing
them
miserably.
It is a
story
that
spans
several
generations,
on how
blood
relations
are as
important
as
friendships,
how
trust is
so easy
to break
but so
hard to
gain,
and how
evil
will
never
rest,
even
after
it’s
dead and
gone.
Story: 4/5 – An imaginary tale that sounds realistic enough had our heroes aged through the years. Characters from regular cannon make appearances in re-imagined roles (I mean, c’mon, if Batman gets married and has kids, what’s the first superhero name that would spring to your mind for this young man’s identity?). Just a good, solid, entertaining read from another Elseworlds title. Travel through comic book history along Batman and Superman, explore the decade’s main themes, and follow their bloodlines down the generations.
Art: 3/5 – I’m just not that much of a fan of Byrne’s art, though I got to admit that in this case, the art is as much part of the narration as the dialogue is. It is well done in that it manages to capture the feel of comic books in the decades it portrays, but I simply can’t find it eye-catching enough. However, don’t take my word for it as I’m from the school that likes the bright colors, computer enhanced, highly detailed art such as the current Titans Run or the stuff Aspen Comics is currently putting out.
Overall: 4/5 – A recommended read if you are looking for a good, fun and inconsequential way to pass the time. There are no blatantly obvious social commentaries, mysteries, plots to decipher or material for thought. Its simply a fun story, without falling into the cheesy side.