Superman: Secret Identity
Writer: Kurt Busiek
Artist, Colorist and cover artist: Stuart Immonen
Letterer: Todd Klein
Reviewed for Raging Bullets: BulletPoints by Omri Spirman
**Warning: This
review contains heavy spoilers.**
Secret Identity:
The story of a young Mr. Kent, whose parents thought it would be
good idea to name Clark.
Though not
specifically stated, Secret Identity belongs to DC’s Elseworlds
universe. As it was originally conceived, this 4 issue
miniseries was to be the story of a certain Clark Kent, a human
with superpowers in a world where superheroes are comic book
characters and do not exist. It was intended to be an ongoing
monthly series about the being known as Superboy- Prime, way
before the idea of Infinite Crisis even crept into Geoff Johns’
mind, but the Crisis on Infinite Earths made him unusable,
sending this story into the ‘imaginary tales’ category. This
incredible story is considered by many to be one of the finest
Superman stories out there, even though it is most definitely
not about Superman himself, but a certain “other” Clark Kent.
Each of the four
chapters of this story begins with a quote from the story itself
that captures the feel of the chapter, followed by a one page
panel of an old superman comic that is actually part of the
story, setting the tone for what is to follow. To enhance the
experience, apart from the reader’s omnipresent perspective, we
are constantly offered Clark’s point of view through excerpts of
his journal written on an old typewriter. This lets the reader
get fully immersed into Clark’s experiences and dilemmas, and
enables us to get the full impact of the emotional tale this is.
The story begins
introducing us to a teenager Clark Kent, whose whole life has
been miserable for the mere fact of owning that famous name. We
see him getting superman- related gifts which are immediately
stored in the closet and getting bullied by the jocks at
school. All this until, one fateful camping night, he wakes up
in his sleeping bag, hovering several feet above ground. After
experimenting with his powers in a scene very reminiscent of the
Spiderman movie where Peter Parker dodges a bully’s punch, Clark
soon runs into his first emergency. Without thinking twice, he
rushes in to save people from a flood while attempting to not be
seen at it, too smart a move for such a rookie at the business
if you ask me. The news of a flying man travel fast, and
reporters begin to flock to the little town. Deciding that he
needs to do this discreetly to avoid problems later, he
personally approaches a reporter and promises her an ongoing
exclusive as long as she does not reveal his identity and helps
him find the meaning behind his newly- acquired powers. As time
passes, he breaks his ties with the reporter and becomes more
confident with his powers, and come Halloween night, he decides
it is time to reveal himself to the world. Wearing an old
Superman costume he got a couple of years earlier, he goes to
the town fair, only to be faced with an exploding gas main below
the town center. As he flies around saving people, he hears his
best friend trapped beneath a beam, and zooms by to help her.
Cameras flash wildly as he lifts the beam above her, and he
quickly understands that it is time to take a dive, letting the
beam fall on top of him. Reporters disillusioned, the news die
out, but at school, the jock thanks him for helping his
girlfriend. Clark meditates, deciding not to go public, and the
issue closes with a group of federal agents reporting to their
superiors that Clark Kent is not the one they are looking for,
foreshadowing a conflict to come later in the series.
In chapter 2, we
catch up to Clark in his 20’s, working as a writer at The New
Yorker, though he refuses to be called a reporter for obvious
reasons of comparison to a certain ‘other’ Clark Kent. Always
ready to make fun of his name, the guys at work set him up on a
blind date with Lois, who is offended by the joke and leaves
angry. Clark follows her, and tells her he knows what she is
going through: “I’m not just a Clark. I’m a Clark Kent. I’ve
been set up with eighteen Loises, Seven Lanas and a Cat Grant.”
As neither of them has any other plans, they end up going for
dinner, in what is the beginning of their relationship. As he
struggles with the thought of telling her his secret, he flies
into an ambush set up by the US army, is captured, and taken to
a lab for experimentation. Half dazed, he manages to escape the
lab, making sure to destroy it on his way out. Now that he
knows he is being monitored, he begins being feeling guilty for
what he is, but Lois, without knowing what he’s going through,
manages to pull him out of the slump his is in. When he finally
gets back on his feet, he takes her to a rooftop, reveals his
secret, and tells her everything. She is supportive, and the
issue ends with them flying off to Maine for breakfast.
Issue 3 jumps
forward another 10 years, where the couple is already married
and Clark is a prize winning author. They are building a house
on the Maine beach, where Clark is secretly digging a tunnel so
that he can reach Boston Bay without the Feds knowing where he
comes from. He has established routines as Superman, and is
very confident in both his abilities and his evasive tactics to
avoid the government. Then, one day his whole world is rocked –
he is about to be a father to twins. Suddenly his priorities
shift, and he concludes that the only way to make it safe for
his children is to get the government off his back. Knowingly
walking straight into an ambush, he disables the resistance and
offers the agent a deal to help them in exchange for letting him
go. After the agent refuses, he decides to make a statement by
pulling several pranks on the army, just to show them what he
could do if he ever truly turned against them. Though these in
no way compromise national security, they are just funny little
gags that show what he is capable of. Some of these are
switching the Pacific and Atlantic fleet’s nuclear missiles,
hacking a broadcast satellite to delay the president’s speech
with old Superman cartoons and switching the portfolios on a
security briefing with issues of Action Comics. Finally meeting
an agent who has changed his mind, they strike a deal and Clark
begins taking small missions for them, climaxing in a South
American coup that had to be attended at the very moment that
Lois was giving birth.
Chapter 4 begins
on a Christmas night, with both daughters back home from
college. Clark is still going on missions, but he has grown
older. Both his speed and strength are not what they used to
be. His agent does not call him as often anymore, and Clark
begins to see clues that there are other super- powered
individuals working with the army besides him. Just to be sure,
Clark and Lois tested the girls when they were young, but
eventually stopped as they felt they were treating them as lab
rats. One day, as Clark was on his way to clear a tornado by
flying in the opposite direction – the Flash style – the tornado
dissipates a second before he gets to it. As he hovers there,
baffled, he hears a familiar sound of laughter. “Two of them.”
After talking to Lois back home, they decide not to pursue it
and let the girls come forward themselves. Visits and phone
calls come and go, and the subject gets avoided, until one day,
just as Clark fails to save a derailed train, both girls dressed
in matching Supergirl costumes pick up the train and help him
set it down. Soon, he learns their powers developed in their
teens, and that the government never tried to capture them –
instead they got an invitation to ‘negotiate’. They begin
flying around together, and sometimes he even lets them go to
mission in his stead. Soon, his agent calls him for a last
meeting, announcing that he is retiring and that they are
retiring Clark as a helper. Then, he reveals that he knew his
real identity for a while now, but that the secret will go with
him. As they part ways, Clark is finally free to look for a
future with Lois. As the years go by, he even lets the girls
completely take over his role. By issue’s end, a white- haired
Clark joins them only once a year and lives happily with Lois
and his book writing, in a world that now has public government
sponsorship of superheroes, one of whom one of the daughters is
dating. He knows the world is changing – but then, the world
has to change. Still able to fly, “I find myself watching a lot
of sunsets lately… They’re majestic, stately, lovely and
inevitable. And then, a little ways to the east… it all starts
over again.”
Story: 5/5 – Definitely one of the best Superman stories out there. Busiek throws us into the deep end of the universe, yet you never feel like drowning at this depth. Apart from the regular reader’s perspective, Clark’s diary provides a second point of view, as seen by hindsight from sometime in the future, allowing us to fully understand his motivations behind his actions. Personally, I would have liked to see a little more of Lois in this world, but what was shown was definitely enough to paint a more than full picture of their relationship and how it is the root cause behind everything Clark does.
Art: 3/5 – Before you flame me on this ‘low’ score, please listen to my argument here. Don’t get me wrong, the art is brilliant. Simplistic, focused on characters and the coloring provides a very strong effect. So why the low score? Because this feeling is not immediate. When I started reading the story, the first thought in my head was that the art was bad, almost hindering the story. Well, perhaps bad is not the right word, but the feeling was something like “not used to that standard in other comics.” However, as I kept reading, I suddenly forgot about the art and eventually even noticed how the art complements the story. It’s just something that takes getting used to. So, even if the art and coloring is excellent, the delaying effect needs considering when rating it.
Overall:
5/5 – Simply a brilliant tale, with perfect execution. Not
only is this one of my favorite stories, but I found it
provides a perfect “gateway” comic book. This is a great
trade to give to people if you want to get them interested
in comics. It has simple panel layout, a great story, no
baggage of history the person needs to know, and is a
halfway point between the real world and the superhero
universe.